![]() The surprise release was a paradigm shift, collaborators say, and one that set the stage for one of modern music’s most important figures. Ten years later, these memories serve as a reminder of the impact of Nostalgia, ULTRA. That winter day in 2011 marked the moment the world finally saw him as who he had become: Frank Ocean. But the man he had known as Lonny Breaux-the detail-driven visionary who wrote songs for the likes of Justin Bieber and Brandy in the late ’00s-wasn’t Breaux any more. a try, before realizing that Frank Ocean was the same songwriter who he worked with on a track months before (which ended up on the mixtape). ![]() TROY NōKA remembers it as the day he felt the stars aligning for Frank, who he had befriended years before, when the singer fled to Los Angeles from New Orleans after Hurricane Katrina.įor the artist now known as Maejor, it took a plane ride and several nudges from friends to finally give Nostalgia, ULTRA. laughs now as he recalls the moment he spotted Frank’s Tumblr post, which contained a shoutout to the young engineer-who the singer affectionately referred to as the “raddest Mexican”-for working on what would be both of their first projects. MIDI Mafia were relieved when Frank told them the project they helped fight for would finally see the light of day. without clearances and without his label’s support, on a Tumblr page, under a completely different artist name, for absolutely free.įor his collaborators, it was a moment they’ll never forget. On that date, Frank still released Nostalgia, ULTRA. Neither of those things ultimately mattered, though. He was still missing two key ingredients for his introductory mixtape as a solo artist, though: the samples didn’t clear and, an even more difficult problem to shake, his label didn’t care. 16, Frank Ocean had almost everything where it needed to be. He even watched Brandy cry over a “beautiful” song he had just recorded, only for him to re-cut it for the next six hours with his engineer.īy Feb. He spread out photos of an orange BMW E30 M3 on a table in front of producer TROY NōKA to ensure his dream car would be dreamy enough for the cover of his debut project. Searching for the perfect sound, he toyed around with different microphones and bounced around rooms in the home studio of production duo MIDI Mafia to make sure the energy was just right.
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